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	<title>激化矛盾归档 - Clarissa Study</title>
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		<title>微情节之“激化矛盾”</title>
		<link>https://claristudy.com/p/942/</link>
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		<dc:creator><![CDATA[Clarissa]]></dc:creator>
		<pubDate>Tue, 26 Sep 2023 02:11:00 +0000</pubDate>
				<category><![CDATA[高考题型 Senior High Exams]]></category>
		<category><![CDATA[微情节]]></category>
		<category><![CDATA[激化矛盾]]></category>
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					<description><![CDATA[<p>在人与自然的话题下，矛盾的激化主要靠环境的恶化来展开;在人与自我的话题下，矛盾的激化主要靠过往回忆或外界刺激来 [&#8230;]</p>
<p><a href="https://claristudy.com/p/942/">微情节之“激化矛盾”</a>最先出现在<a href="https://claristudy.com">Clarissa Study</a>。</p>
]]></description>
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<p>在人与自然的话题下，矛盾的激化主要靠环境的恶化来展开;在人与自我的话题下，矛盾的激化主要靠过往回忆或外界刺激来展开;在人与社会的话题下，矛盾的激化主要由角色间的互动展开。以下列举了六种在续写中常用于激化矛盾的思路与方法，以具体分析每种思路下的情节逻辑链以及可使用的句式。</p>



<h2 class="wp-block-heading">愈演愈烈</h2>



<p><strong>微情节构建:<br>环境：不断恶化<br>心理：即将崩溃<br>动作：不知所措</strong></p>



<p><strong>可搭配句型:<br>随着情况的恶化，某人快要崩溃了，完全不知道该怎么办。<br>As/With+恶化的情况，sb.was on the edge ofbreaking down, totally at a loss what to do.</strong></p>



<p>【使用要点】<br>①该句式往往用于“矛盾激化”情节，往往是通过外在情况的恶化来衬托主人公负面的心理;<br>②句子的后半部分内容不涉及具体的情节，因此可以直接使用，需要构思的只有“情况恶化”这部分;<br>③as是连词，后面可以接含谓语动词的句子等结构;而with是介词，后面只能用非谓语结构。</p>



<p>例1“北极熊”【2020·浙江卷】<br>前文情节:我和妻子Elli去加拿大北部拍摄北极熊期间，北极熊袭击了我们的营地。我们使尽各种办法都不奏效，最后我朝它脸上喷了辣椒水，北极熊吼叫着跑去湖边洗脸。<br>Paragraph 1:A few minutes later, the bear headed back to our camp.几分钟后，熊回到了营地。<br>微情节构建:<br>环境：北极熊继续攻击营地<br>心理：我们的心理即将崩溃<br>动作：我们不知所措<br>当那只熊第二次试图用它巨大的爪子推倒栅栏时，我们几乎崩溃了，完全不知所措。<br><strong>“as”版本:As the bear was trying to tear down the fence with his massive paws for the second time, we were on the edge of breaking down, totally at a loss what to do.<br>“with”版本:With the bear trying to tear down the fence with his massive paws for the second time, we were on the edge of breaking down, totally at a loss what to do.</strong></p>



<p>例2“荒野求生”【2016·浙江卷】<br>前文情节:Jane和丈夫出去玩，但是他俩在路上吵架了，Jane 一气之下自己先走了，结果迷失在了丛林中。飞过来的直升机被树木遮挡了，使她错过了获救机会，她想找一个空旷的地方求救。<br>Paragraph 1: But no more helicopter came and it was getting darkagain.但是再也没有直升机飞来，天又渐渐黑了。<br>微情节构建:<br>环境：马上要天黑了<br>心理：Jane的心理即将崩溃<br>动作：Jane 不知所措<br>随着夜幕笼罩森林，Jane快要崩溃了，完全不知道该怎么办。<br><strong>“as”版本:As the night swept the forest, Jane was on the edge of breaking down, totally at a loss what to do.<br>“with”版本:With the night sweeping the forest, Jane was on the edge of breaking down, totally at a loss what to do.</strong></p>



<h2 class="wp-block-heading">希望渐微</h2>



<p><strong>微情节构建:<br>动作：已经使出浑身解数<br>结果：情况没有好转</strong></p>



<p><strong>可搭配句型:<br>(1)尽管某人已经绝望地……了，……(情况没有好转)。<br>Despite sb.&#8217;s desperate (doing) sth.,..<br>(2)尽管某人已经使出了浑身解数，……(情况没有好转)。<br>Every possible trick though/as sb. had attempted,.….</strong></p>



<p>【使用要点】<br>①以上两个句式往往用于“激化矛盾”部分，用来渲染主人公的绝望心理;<br>②两句后半句需要构思“情况没有好转”的部分;句(1)前半句需要构思主人公“做过的尝试”;<br>③句(1)、(2)的前半句与后半句间都不能使用but连接;(1)、(2)两个句子可以相互转换;<br>④句(1)的“despite”属于介词，后面要用名词或动名词。</p>



<p>例1 “海上遇险”【2020·山东省泰安市高二上学期期末】<br>前文情节:我们一家去海滩玩，我不会游泳，就去划一条小渔船，突然海浪袭来……<br>Paragraph 1: My boat was pulled towards the deeper part.我的船被(海浪)拉向更深的地方。<br>微情节构建:<br>动作：我绝望地呼叫/我已经使出了浑身解数<br>结果：没有人注意到我</p>



<p><strong>(1)尽管我绝望地呼叫，但没有人注意到我，因为他们离我太远了。<br>①Despite my desperate shouting, no one noticed me since they were too far away.<br>②Desperately though/ as I had shouted,no one noticed me since they were too far away.<br>(2)尽管我已经使出了浑身解数，但没有人注意到我，因为他们离我太远了。<br>①Despite every possible trick I had attempted no one noticed me since they were too far away.<br>②Every possible trickthough/ as I had attempted,no one noticed me since they were too far away.</strong></p>



<p>例2“救命之树”【2021·湖南师范大学附属中学高三下学期3月模拟】<br>前文情节:Sami寒假去祖父的村庄，那里的人们砍倒了许多椰子树，几乎没剩下任何绿色植物。有天夜晚，海啸突然来袭……<br>Paragraph 1: Grandpa held Sami’s hand tightly but a huge wave separated them.<br>祖父紧紧握住Sami的手，但一个巨浪把他们分开了。</p>



<p>微情节构建:<br>动作：祖父不顾一切地和海浪搏斗/祖父已经使出了浑身解数<br>结果：祖父没有抓住 Sami</p>



<p><strong>(1)尽管祖父不顾一切地和海浪搏斗，但依然没有抓住 Sami，Sami被冲走了。<br>①Despite Grandpa’s desperate fighting the waves, he failed to catch Sami who was drifted away.<br>② Desperately though/ as Grandpa had fought the waves, he failed to catch Sami who was drifted away.<br>(2)尽管父已经使出了浑身解数，但依然没有抓住 Sami，Sami被冲走了。<br>①Despite every possible trick Grandpa had attempted,he failed to catch Sami who was drifted away.<br>② Every possible trick though/ as Grandpa had attemptedhe failed to catch Sami who was drifted away.</strong></p>



<p>例3“火灾时救老人”【2020·福建省莆田一中高二上学期期末】<br>前文情节:Tom 家楼下的汽车店发生了火灾，Tom 和姐姐 Jane 赶紧从家里逃出来。在逃生的途中，Jane折回公寓楼去救一个独居的老人，Tom也跟了回去。他们使劲敲门大喊。<br>Paragraph 1: Tom noticed the flame was reaching up.Tom注意到大火正在蔓延过来。</p>



<p>微情节构建:<br>动作：他们疯狂地敲门/他们已经使出了浑身解数<br>结果：没人回应</p>



<p><strong>(1)尽管他们疯狂敲门，但依然没有人回应。<br>①Despite their desperate pounding at the door, there was no answer.<br>② Desperately though/ as they had pounded at the door,  there was no answer.<br>(2)尽管他们已经使出了浑身解数，但依然没有人回应。<br>①Despite every possible trick they had attempted, there was no answer.<br>② Every possible trick though/as they had attempted, there was no answer.</strong></p>



<h2 class="wp-block-heading">食不知味</h2>



<p><strong>微情节构建:<br>环境：客观环境很好<br>心理：主观感知很差</strong></p>



<p><strong>可搭配句型:<br>虽然环境……(客观事实)，但是在某人看来……(主观感知)。<br>Although+环境+was +adj.,it seemed + adj./n.+ to sb..<br>adj.+ thqugh/as + 环境+was, it seemed + adj./n. + to sb..</strong></p>



<p>【使用要点】<br>①该句式使用位置比较自由，文章前中后涉及环境描写的地方都可以使用。<br>②前后分句描写的是同一事物。借助“客观事实”和“主观感知”之间的落差，表现人物内心。<br>③“客观事实”和“主观感知”要形成“正一负”对比。</p>



<p>例1“现在几点?”<br>前文情节:凌晨时分，Fairfax先生在开车途中感觉太累，就把车停在路边，打算在车里打个盹儿。但是不断有人敲车窗问他时间……</p>



<p>微情节构建:<br>环境：凌晨的街道很安静<br>心理：Fairfax先生认为街道很吵闹</p>



<p><strong>虽然那时的街道非常安静，但是在Fairfax先生看来却吵闹无比。(安静-吵闹)<br>①Although the road was totally quiet at that time, it seemed like a crowded one to Mr. Fairfax.<br>② Totally quiet though/ as the road was at that time,it seemed like a crowded one to Mr. Fairfax.</strong></p>



<p>例2“女儿的电话”<br>前文情节:我接到“女儿”的电话后，焦急地跑去女儿的房间。</p>



<p>微情节构建:<br>环境：走廊的路很短<br>心理：在我看来很长</p>



<p><strong>虽然走廊的路很短，但在我看来却漫长无比。(短一长)<br>①Although the path of the corridor was short, it seemed such a long way to me.<br>② Short as/ though the path of the corridor was, it seemed such a long way to me.</strong></p>



<h2 class="wp-block-heading">回忆如潮</h2>



<p><strong>(1)刺激→回忆</strong></p>



<p><strong>微情节构建<br>外界刺激：当……时<br>心理：唤醒……的回忆</strong></p>



<p><strong>可搭配句型:<br>当……时，所有那些……的回忆都涌入了某人的脑海中。<br>When.., all those + adj.+ memories/ things crowded into one&#8217;s mind.</strong></p>



<p>【使用要点】<br>①该句式如果用于文章开头，往往是负面回忆。如果用于文章结尾，则往往是正面回忆。<br>②memories/things可以借用从句拓展具体的内容，如“all those things that happened to me<br>when I was a substitute teacher crowded into my mind”，当然如果原文并没有详细的内容可供参考，也可以简化为good/badmemories。<br>③回忆的描述:可以找原文中正面或负面的形容词，如“miserable”“wonderful”等，直接用于描述回忆;也可以用曾出现过的具体的人、事、物来替代回忆。</p>



<p>例1“现在几点?”<br>前文情节:凌晨时分，连续开车很久的Fairfax先生感觉太累，就把车停在路边，打算在车里打个盹儿。但是不断有人敲车窗问他时间，他就在车窗上贴了张告示，上面写着“我不知道现在几点”，结果警察来了。</p>



<p>微情节构建:<br>外界刺激：警察敲击车窗<br>心理：“烦人的询问时间的声音”涌人Fairfax先生的脑海</p>



<p><strong>当警察开始敲车窗时，所有那些恼人的询问时间的声音都涌人了Fairfax先生的脑海。<br>When the policeman started knocking at the car windowall those annoying voices asking about time crowded into Mr. Fairfax’s mind.</strong></p>



<p>例2 “女儿的电话”<br>前文情节:我接到“女儿”的电话后，意识到沟通和倾听的重要性，看着正在熟睡的天使般的女儿，我不禁陷人了沉思。</p>



<p>微情节构建:<br>外界刺激：看着天使般的女儿<br>心理：我拒绝倾听的场景涌人脑海</p>



<p><strong>当我看着天使般的女儿，所有那些我拒绝倾听的场景都涌人了我的脑海。<br>When I gazed at my angel-like daughter,all those scenes where I had refused to listen crowded into my mind.</strong></p>



<p><strong>(2)回忆→动作</strong></p>



<p><strong>微情节构建:<br>心理：回忆/反思着……<br>动作：回忆/反思着……同时做了某个动作</strong></p>



<p><strong>可搭配句型:<br>回忆/反思着……，某人……。<br>Reflecting on what had happened, sb. …</strong><br>【使用要点】<br>①该句式如果用于文章开头，往往是负面回忆。如果用于文章结尾，则往往是正面回忆。<br>②前半句中的“what had happened”可以用其他名词或从句替代，如“Reflecting on the accident” “Reflecting on what the little girl had said”;后半句中，可以安排某人做一个动作，同时用非谓语动词刻画细节的肢体语言、表情等。<br>③回忆的描述:可以找原文中正面或负面的形容词，如“miserable”“wonderful”等，直接用于描述回忆;也可以用曾出现过的具体的人、事、物来替代回忆。</p>



<p>例1“诚信的重量”<br>前文情节:Susan为了和伙伴出去玩，欺骗了祖母。</p>



<p>微情节构建:<br>心理：反思着发生的一切<br>动作：Susan低垂着头</p>



<p><strong>Susan靠在树上，低垂着头，反思着发生的一切。<br>Reflecting on what had happened,Susan leaned on the tree, with her head drooping.</strong></p>



<p>例2“标枪少年”<br>前文情节:我一直都比较平庸，没有找到自己的特长。偶然一次在体育课上投标枪时，我发现自己竟然有此特长。</p>



<p>微情节构建:<br>心理：回想着同学们的欢呼声<br>动作：我高兴地跳了起来</p>



<p><strong>回想着同学们的欢呼声，我不禁跳了起来，脸上绽开笑靥。<br>Reflecting on the classmates’cheers,I couldn’t help jumping, my face beaming with joy.</strong></p>



<h2 class="wp-block-heading">悔不当初</h2>



<p><strong>微情节构建:<br>外界刺激：情况非常糟糕<br>心理：如果……就好了</strong></p>



<p><strong>可搭配句型:<br>意识到自己身处如此绝望的境地后，某人心想，“如果我(没有)……就好了。”<br>Realizing what a desperate situation sb. was in,sb.thought to oneself, “If only I had (not) done….”</strong></p>



<p>【使用要点】<br>①该句式一般在负面的情节中使用，描写主人公绝望、后悔的心理状态。<br>②前半句不需要做改动，只需要在后半句的引号中构思一个主人公“想做而未做”或者“不该做却做了”的动作，同时用虚拟语气呈现出来即可。这在内容上可以帮助我们很好地利用原文中的素材。<br>③在原文出现的令主人公之后后悔的动作词是我们在使用这个句式时需要着重关注的。</p>



<p>例1“荒野求生”【2016·浙江卷】<br>前文情节:Jane和丈夫出去玩，但是他俩在路上吵架了，Jane 一气之下自己先走了，结果迷失在丛林中。</p>



<p>微情节构建:<br>外界刺激：情况非常糟糕<br>心理：如果自己没有和丈夫吵架就好了</p>



<p><strong>意识到她的处境是如此令人绝望，Jane 心想:“如果我没有跟Tom吵架就好了。”<br>Realizing what a desperate situation she was in,Jane thought to herself,“If only I had not quarreled with Tom.&#8221;</strong></p>



<p>例2“野狼追击”【2017·浙江卷】<br>前文情节:Mac在户外骑行时遇到了野狼的追击。</p>



<p>微情节构建:<br>外界刺激：情况非常糟糕<br>心理：如果自己待在家里没出门就好了</p>



<p><strong>意识到他的处境是如此令人绝望，Mac心想:“要是我待在家里就好了。”<br>Realizing what a desperate situation he was in,Mac thought to himself,“If only I had stayed at home.”</strong></p>



<p>【句式升级】<br>在该句式中，前半句可以替换为①Beingaware of what a desperate situation sb. was in ② Struck by such a desperate situation。同时，可以在句中插入具体的情绪，用“sb.was seized with regret”替换掉“sb.thought to oneself”</p>



<p><strong>微情节构建:<br>外界刺激：情况非常糟糕<br>情绪：万般后悔<br>心理：如果(没有)……就好了</strong></p>



<p>以上的例子分别可以修改为:<strong><br>例1:意识到她的处境是如此令人绝望，Jane后悔万分，“如果我没有跟Tom吵架就好了。”<br>Being aware of what a desperate situation she was in,Jane was seized with regret,“If only I had not quarreled with Tom.”<br>例2:遭遇如此令人绝望的情况，Mac后悔万分，“要是我待在家里就好了。”<br>Struck by sucha desperate situation, Mac was seized with regret,“If only I had stayed at home.&#8221;</strong></p>



<h2 class="wp-block-heading">度日如年</h2>



<p>前文我们提到要适时切换叙事的节奏，让文章在有限的篇幅内交代充足的信息，同时详略有致。虽然大多数读后续写的叙事都是比较紧凑连贯的，但是在有些文章中，确实会需要对叙事的时间进行一定的留白，这就需要我们适时地按下“快进键”。<br>同时，矛盾的升级需要时间，情绪的发酵需要时间，矛盾的解决也需要时间。因此我们可以在有限的写作篇幅内，用“快进键”拉长矛盾持续的时间，为后续的故事高潮蓄力。以下提供三种比较常用的句式:</p>



<p>句式1<br><strong>接下来的几分钟/几小时/几天就像过了好几年。<br>The following minutes/ hours/ days felt like years.</strong></p>



<p>句式2<br><strong>沉默/绝望持续了一段时间。<br>Silence/Despair continued for some time.</strong></p>



<p>句式3<br><strong>某人的大脑一片空白，直到……某人才清醒过来。<br>With one&#8217;s mind going blank, it was not until… that sb. came to oneself.</strong></p>



<h2 class="wp-block-heading">Mindmap解析</h2>



<figure class="wp-block-image size-large"><img fetchpriority="high" decoding="async" width="838" height="1024" src="https://claristudy.com/wp-content/uploads/2023/09/img_4742-838x1024.jpg" alt="" class="wp-image-948" srcset="https://claristudy.com/wp-content/uploads/2023/09/img_4742-838x1024.jpg 838w, https://claristudy.com/wp-content/uploads/2023/09/img_4742-245x300.jpg 245w, https://claristudy.com/wp-content/uploads/2023/09/img_4742-768x939.jpg 768w, https://claristudy.com/wp-content/uploads/2023/09/img_4742-1257x1536.jpg 1257w, https://claristudy.com/wp-content/uploads/2023/09/img_4742.jpg 1467w" sizes="(max-width: 838px) 100vw, 838px" /></figure>
<p><a class="a2a_button_wechat" href="https://www.addtoany.com/add_to/wechat?linkurl=https%3A%2F%2Fclaristudy.com%2Fp%2F942%2F&amp;linkname=%E5%BE%AE%E6%83%85%E8%8A%82%E4%B9%8B%E2%80%9C%E6%BF%80%E5%8C%96%E7%9F%9B%E7%9B%BE%E2%80%9D" title="WeChat" rel="nofollow noopener" target="_blank"></a><a class="a2a_button_copy_link" href="https://www.addtoany.com/add_to/copy_link?linkurl=https%3A%2F%2Fclaristudy.com%2Fp%2F942%2F&amp;linkname=%E5%BE%AE%E6%83%85%E8%8A%82%E4%B9%8B%E2%80%9C%E6%BF%80%E5%8C%96%E7%9F%9B%E7%9B%BE%E2%80%9D" title="Copy Link" rel="nofollow noopener" target="_blank"></a></p><p><a href="https://claristudy.com/p/942/">微情节之“激化矛盾”</a>最先出现在<a href="https://claristudy.com">Clarissa Study</a>。</p>
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